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"Updated and revised, Ethics: The Basics, Second Edition, introduces students to fundamental ethical concepts, principles, theories, and traditions while providing them with the conceptual tools necessary to think critically about ethical issues."

"It is the continuous reports of unethical behavior in the form of data manipulation, cheating, plagiarism, and other forms of unacceptable behavior that draw attention to the issues of misconduct. The causes of misconduct are manifold whether it is the need to advance in a chosen discipline or to compete successfully for and obtain research funding. Disappointingly, individuals who are oriented to any form of dishonesty are individuals who had previously displayed little or no consideration for the feelings of others and are therefore more interested in themselves, at the expense of the students, and others recognizing them by any means necessary. This ground-breaking and honest examination of ethics in the university setting is unabashed in its descriptions of misconduct in the academic world. The text is well furbished with numerous citations that point to academic misconduct and the final chapter deals with the means by which misconduct can be mitigated, a strong reminder to everyone in the academic community that above board conduct must be part of our overall message of learning and part of the whole point of education in the first place. A must-have for academics and non-academics alike, this text is the second in a series of books on ethics by James G. Speight, and it is useful to anyone, in any industry, who is interested in ethical behavior and how to navigate the sometimes murky depths of our professional lives."

"Bagi filsuf Theodor Adorno, musik dapat mengatakan sesuatu mengenai realitas dan menyingkap kondisi terdalam dari masyarakat. Dari cara komponis berjuang dengan material musikal, musik dapat memiliki potensi kritis. Berangkat dari pemikiran Kant, Hegel, Marx, sekaligus sebagai kritik terhadapnya, ditambah dengan pengetahuan musikalnya sebagai murid dari komponis Alban Berg, Adorno meyakini bahwa seperti halnya filsafat yang berupaya menganalisis segalanya, musik juga harus dapat memperpelik yang sederhana, mengacaukan yang biasa, dan menantang status quo dengan mendorong kesadaran kritis mengenai berbagai masalah seperti kontradiksi, penderitaan, dan alienasi yang terjadi dalam kehidupan."