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"Hermann Fischer's lively and original study of romantic verse narrative traces in comprehensive detail the origins and development of this poetic form in the late eighteenth and early nineteenth centuries. It brings together the longer epic verse tales of Scott, Byron and Southey and the more lyrical forms of narrative poetry in the romantic period, thus presenting familiar poems such as Shelley' sAlastor and Keats' The Eve of St Agnes in the revealing but neglected context of the narrative genre and its history. Professor Fischer addresses the question of genre from a viewpoint that is both theoretical and historical, examining it in terms of form, structure and tone, and analysing its contemporary purpose and audience. Whilst looking at each of the major narrative poets in some detail, his study also proves illuminating in many areas of romantic literature, covering issues such as the role of the medieval revival and the decline of neo-classicism, the importance of popular sources such as the ballad and more literary influences such as the eighteenth-century heroic epic, and questions of changing taste and the reading public."

"Hermann Fischer's lively and original 1991 study of Romantic verse narrative traces in comprehensive detail the origins and development of this poetic form in the late eighteenth and early nineteenth centuries. It brings together the longer epic verse tales of Scott, Byron and Southey and the more lyrical forms of Romantic narrative poetry, thus presenting familiar poems such as Shelley's 'Alastor' and Keats's 'The Eve of St Agnes' in the revealing but neglected context of the genre and its history. Professor Fischer addresses the question of genre from a viewpoint that is both theoretical and historical, and his study also proves illuminating in many areas of Romantic literature, covering issues such as the role of the medieval revival and the decline of neoclassicism, the relative importance of popular and more literary sources, and questions of changing taste and the reading public. This translation, extensively revised and updated, makes Hermann Fischer's acclaimed study available for the first time in English"

"The Jamesian mode of writing, it has been claimed, actively works against an understanding of the way truth, history and power circulate in his texts. Enacting History in Henry James argues instead that James' writing promises an experiential type of knowledge, one that is attained by actively participating in the power games and moral dramas that unfold within the text. Reading James thus requires not just an emotional responsiveness, but also an ethical assumption of responsibility for the act of reading. This book places James' work in a fresh theoretical context and throws new light on this most enigmatic of writers."

"Christine van Boheemen examines the relationship between Joyce's postmodern textuality and the traumatic history of colonialism in Ireland. Joyce's influence on Lacanian psychoanalysis and Derrida's philosophy, Van Boheemen suggests, ought to be viewed from a postcolonial perspective. Joyce's writing bears witness to a history that remains unspeakable, functioning as a material location for the inner voice of Irish cultural memory. This book engages with a wide range of contemporary critical theory and brings Joyce's work into dialogue with thinkers such as Zizek, Adorno, Lyotard, as well as feminism and postcolonial theory."