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"The French Revolution remade the system of property-holding that had existed in France before 1789. This book engages with this historical process not from an economic or social perspective, but from the perspective of the laws and institutions of property. The revolutionary changes aimed at two fundamental goals: the removal of formal public power from the sphere of property and the excision of property from the realm of sovereignty. The revolutionaries accomplished these two aims by abolishing privately owned forms of power, such as feudalism, seigneurialism, and venal public office, and by dismantling the Crown domain, thus making the state purely sovereign. This brought about a Great Demarcation: a radical distinction between property and power from which flowed the critical distinctions between the political and the social, state and society, sovereignty and ownership, the public and private. This destroyed the conceptual basis of the Old Regime, laid the foundation of Frances new constitutional order, and crystallized modern ways of thinking about polities and societies. These monumental changes were consolidated by the Napoleonic Code. By tracing how the French Revolution sought to make the Great Demarcation a legal and institutional reality, this book shows how the revolutionary transformation of Old Regime property helped define key categories of political modernity."

"Masalah identitas selalu menjadi diskusi yang berlanjut di sejarah Arsitektur Indonesia. Untuk waktu yang lama, ide identitas selalu berubah dari satu periode ke periode lainnya, dan arsitektur tumbuh sesuai dengan masyarakat dan kejadian disekitarnya. Skripsi ini adalah penulisan yang deskriptif membahas identitas Arsitektur Indonesia; menemukan pola penentu selagi melihat sejarah Arsitektur Indonesia. Skripsi ini bertujuan untuk memahami lebih jauh tentang apa identitas Arsitektur Indonesia di era kontemporer, dan bagaimana identitas Arsitektur Indonesia diwakili di era saat ini dengan melihat beberapa bangunan yang baru saja direnovasi di Gelora Bung Karno sebagai contoh.

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The matter of identity has always been an on-going discussion through out the history of Indonesian Architecture. For a long time now, the idea of identity changes from one period to the other, and architecture grows in accordance to its society and recent happenings. This thesis is a descriptive writing discussing the identity of Indonesian Architecture; finding a common denominator as we look through the history of Indonesian Architecture. This thesis aims to understand further on what identity of Indonesian Architecture is in the contemporary era, and how the identity of Indonesian Architecture is represented in the current era by looking at some of the newly renovated buildings in Gelora Bung Karno as examples."