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"Dengan adanya archaeology by the public, di era informasi ini, siapa pun, baik individu maupun komunitas, berkesempatan untuk melakukan interpretasi cagar budaya dengan menyajikan story di berbagai platform media sosial. Di Bandung, terdapat komunitas UPIlawas yang secara khusus membuat cerita tentang bangunan cagar budaya Villa Isola di Instagram. Berdasarkan hal ini, story bangunan cagar budaya Villa Isola di Instagram komunitas UPIlawas tersebut dianalisis berdasarkan perspektif arkeologi publik, tema dan penyajiannya. Mixed method research dipilih dan dibantu oleh piranti lunak MAXQDA Analytics Pro 2018 pada tahap analisis. Hasil dari penelitian menunjukkan bahwa story bangunan cagar budaya Villa Isola memiliki perspektif mainstream archaeology, bertema dominan peace of mind, dan lebih ditujukan untuk generasi z.

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With the existence of archaeology by the public, in this information age, anyone, both individuals and communities, has the opportunity to interpret cultural heritage by presenting stories on various social media platforms. In Bandung, there is the UPIlawas Community which, in particular, has made stories about the Villa Isola cultural heritage building on Instagram. Based on this, the stories of the Villa Isola cultural heritage building on the UPIlawas community Instagram have been analyzed based on the perspective of public archeology, themes and presentation. Mixed method research has been selected and assisted by the MAXQDA Analytics Pro 2018 software at the analysis stage. The results of the study have shown that the stories of the cultural heritage building of Villa Isola has a mainstream archaeology perspective, has a dominant theme of peace of mind, and is more aimed at generation z.

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"In her research Yulia Nurliani Lukito analyses modernity and the construction of culture by the authorities using the images of Indonesian vernacular architecture presented at three different sites and times. She argues that modernity is not solely constructed by the authorities, rather it is an ongoing process modified by visitors of exhibitions. Pasar Gambir was a laboratory of modernity for the colony, and an important stage in modernizing and negotiating cultural and social conditions in the colony. The Dutch Pavilion at the 1931 colonial exhibition became a moment when the Indies heritages played a role in marking colonial territory. Modern ethnographic park of Taman Mini gives a way to the making of an official 'authentic' culture and suppresses the previous Dutch construction of the Indies culture. Contents · Pasar Gambir of Batavia: Hybrid Architecture and Space of Encounter for the Indies People · The Dutch Pavilion at the 1931 International Colonial Exhibition in Paris: Contrasting Authenticity and Modernity · Taman Mini Indonesia Indah: the Rebirth of Indonesian Vernacular Architecture after Independence Target Groups · Lecturers and students of the social sciences especially in history and theory of architecture · Readers who are interested in cultural studies, architecture, history, and modernity The Author Yulia Nurliani Lukito received her doctorate degree in Theory of Architecture from RWTH Aachen. Her research interests are theory and history of architecture, modernity, and Indonesian vernacular architecture. "