Hasil Pencarian  ::  Simpan CSV :: Kembali

"Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthologyh gathers together 88 indicative texts from North America, Edurope and Australasia, and elsewhere. --The volume embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provacative web of ideas. Some of the texts are now regarded as classic, but the anthology is particulary notable for its inclusion of rare and significant material not reprinted elsewhere. --The scale and structure of the volume make it a uniqauely flexible resource for study and research. Each of the seven sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time. --Hilary Robinson is Dean of the School of Art and Design and Professor of Visual Culture at Middlesex University London, having previously held positions at Carnegie Mellon University, USA, and the University of Ulster, Norhern Ireleand. --Book Jacket."

"Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthologyh gathers together 88 indicative texts from North America, Edurope and Australasia, and elsewhere. -- The volume embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provacative web of ideas. Some of the texts are now regarded as classic, but the anthology is particulary notable for its inclusion of rare and significant material not reprinted elsewhere. -- The scale and structure of the volume make it a uniqauely flexible resource for study and research. Each of the seven sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time. -- Hilary Robinson is Dean of the School of Art and Design and Professor of Visual Culture at Middlesex University London, having previously held positions at Carnegie Mellon University, USA, and the University of Ulster, Norhern Ireleand"

"Pada era akhir tahun 60-an, mulai berkembanglah suatu jenis seni di Amerika, kemudian diikuti oleh beberapa negara di Eropa, yang menggunakan unsur unsursuatu pemberontakan alas banyaknya produk artifisial yang muncul saat itu, orang-orang mulai terkonsentrasi ke arah teknologi dan mula! mengabalk.an lingkungannya. Sebenamya seni semacam ini sudah pemah dilakukao oleh masyarakat masa laJu, namun mereka melakukannya masih dengan teknik yang sangat lama dllakukan, sehingga seni jenis ini tidaklah umum pada masa itu.Munculnya artis-artis yang terjun dalam bldang Land Arl ini membawa perubahan yang sangat berarti bagi dunia, karena Land Art biasanya dibuat untuk menyampaikan pesan-pesan khusus yang berhubungan dengan kepedulian sang artis terhadap lingkungan. Haf lni menjadikan seni jenis Land Art memiliki nilai positif dart beberapa segl: yaitu dapat memberikan nita! baru bagi suatu lahan. mengajak manusia untuk peduli kepada alam. dan memberikan suatu keindahan tersendiri bagf yang menyaksikannya.Land Aft kebanyakan diwujudkan dalam ukuran dan skala yang besar, terdapat di Iaham terbuka, dan menggunakan material-material alarn secara langsung. Bentuknya sangat bervariasi, mulai dati sasuatu yang s!mpel hinggamemerlukan ketelitian yang sangat tinggi karena proses desainnya lebih rumitKarena skalanya yang besar, sebagian besar Land Art dapat dilihat dan"