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"Beberapa bangunan kadang terlihat memiliki kekuatan diantara bangunan-bangunan di sekitarnya, seperti bangunan-bangunan pemerintahan, bangunan-bangunan bersejarah. Saya ingin menganalisa bagaimana bangunan-bangunan tersebut menyampaikan pengaruhnya kepada manusia sehingga manusia dapat merasakan kekuasannya. Hal ini mungkin dapat dilihat dari penggunaan bentuk-bentuk elemen-elemen yang digunakan, tata letak bangunan di site, tata letak site terhadap bangunan-bangunan atau site lain di sekitarnya, penggunaan warna, dsb.

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Some buildings seem to have a power among the others which surround it, such as government buildings, old buildings which have important history, etc. I would like to analyze how these buildings give effects to us so that we can feel it's Power. Possibly it can be explain by building elements, building position at the site, the influence of site position toward the others site and buildings surrounding it, colour using, etc."

"This book considers climate as well as weather but its principal focus is everyday experience. Weather and climate differ in duration and scale. Unlike the weather, which we can see and feel at a specific time and place, we cannot directly perceive climate because it is an idea aggregated over many years and across a region. Weather Architecture further extends Hill's investigation of authorship by recognising the weather as a creative architectural force alongside the designer and user. Although he acknowledges the influence of the client, contractor and engineer, the relations between the designer, user and weather are the focus of this book. Environmental discussions in architecture tend to focus on the practical or the poetic but here they are considered together. Rather than investigate architecture's relations to the weather in isolation, they are integrated into a wider discussion of cultural and social influences on architecture. The analysis of weather's effects on the design and experience of specific buildings and gardens is interwoven with a historical survey of changing attitudes to the weather in the arts, sciences and society, which leads to a critical re-evaluation of contemporary responses to climate change. At a time when environmental awareness is of growing relevance, the overriding aim is to understand a history of architecture as a history of weather and thus to consider the weather as an architectural author that influences design, construction and use in a creative dialogue with other authors such as the architect and use"

"Arsitektur berperan dalam menciptakan lingkungan untuk memenuhi kebutuhan manusia. Salah satu tujuan arsitektur adalah menciptakan lingkungan yang berkualitas dimana dapat memenuhi kebutuhan manusia tanpa merusak atau membebani lingkungan dan alam. Baik lingkungan buatan maupun alam harus ditata secara seimbang agar tercipta kehidupan yang harmonis. Salah satu faktor penting untuk menciptakan kehidupan yang harmonis adalah penataan energi. Berbagai cara arsitektur mewujudkan bentuk penataan energi yang efisien dan efektif, salah satunya adalah penggunaan energi alternatif. Skripsi ini membahas tentang pemanfaatan tenaga angin yang dikonversi menjadi energi yang lebih bermanfaat dengan menggunakan turbin angin dan pembahasan difokuskan dari sudut pandang arsitektur dan lingkungan.

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Architecture plays a role in creating an environment to meet human needs. One of the goals of architecture is to create a quality environment in which to meet human needs without damaging or burdening the environment and nature. Both the artificial and the natural environment should be arranged in a balanced way in order to create a harmonious life. One of important factors to create a harmonious life is the arrangement of energy. Various ways in architecture to realize arrangement of energy which efficiently and effectively, one of which is the use of alternative energy. This thesis discusses the use of wind power converted into useful energy using wind turbines and focuses discussion point of view of architectural and environmental."

"In her research Yulia Nurliani Lukito analyses modernity and the construction of culture by the authorities using the images of Indonesian vernacular architecture presented at three different sites and times. She argues that modernity is not solely constructed by the authorities, rather it is an ongoing process modified by visitors of exhibitions. Pasar Gambir was a laboratory of modernity for the colony, and an important stage in modernizing and negotiating cultural and social conditions in the colony. The Dutch Pavilion at the 1931 colonial exhibition became a moment when the Indies heritages played a role in marking colonial territory. Modern ethnographic park of Taman Mini gives a way to the making of an official 'authentic' culture and suppresses the previous Dutch construction of the Indies culture. Contents · Pasar Gambir of Batavia: Hybrid Architecture and Space of Encounter for the Indies People · The Dutch Pavilion at the 1931 International Colonial Exhibition in Paris: Contrasting Authenticity and Modernity · Taman Mini Indonesia Indah: the Rebirth of Indonesian Vernacular Architecture after Independence Target Groups · Lecturers and students of the social sciences especially in history and theory of architecture · Readers who are interested in cultural studies, architecture, history, and modernity The Author Yulia Nurliani Lukito received her doctorate degree in Theory of Architecture from RWTH Aachen. Her research interests are theory and history of architecture, modernity, and Indonesian vernacular architecture. "