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"Dalam arsitektur grid banyak menjadi dasar untuk memberi bentuk, dimensi, dan susunan dalam skala interior maupun eksterior. Selain fungsi yang mewujud grid juga dapat digunakan sebagai proses yang memberi kerangka pada rancangan. Dengan memelajari grid dalam proses merancang Le Corbusier dan Peter Eisenman, dapat terlihat peran grid dalam praktek arsitektur dan arsitektur interior. Penggayaan dan konsep merancang dari masing-masing arsitek tersebut memengaruhi bagaimana grid diaplikasikan ke dalam rancangan. Terdapat dua realitas penggunaan grid yang bertolak belakang dari kedua arsitek. Le Corbusier menginginkan keteraturan dalam rancangannya, sedangkan Eisenman menciptakan dislokasi sebagai aturan baru dalam merancang.Le Corbusier bermain dengan dimensi dan permukaan bidang grid yang diproyeksikan secara tiga dimensi untuk menghasilkan elemen interior dan keseluruhan bangunan, sedangkan Eisenman memanipulasi bidang-bidang grid dalam rancangannya sehingga terjadi ruang-ruang interior dan eksterior bangunan. Akan tetapi keduanya memiliki kesamaan yaitu adaptasi grid sebagai proses sistematis. Dalam hal ini grid menghasilkan elemen-elemen interior dan ruang-ruang yang tersusun dalam keseluruhan bangunan. Penggunaan grid sangat beragam sesuai tujuan yang ingin dicapai masing-masing arsitek. Elemen arsitektural dan elemen interior dapat dieksplorasi dan diekspresikan melalui berbagai metode merancang berbasis grid.

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In the architecture grid is widely used as bases in providing the shape, dimension and structure in the interior as well as exterior scale. Beside its forming function, grid is also utilised as a process which provides structure in the design. By studying the grid in Le Corbusier and Peter Eisenman designing process, one can notice the role of grid in the practice of architecture and interior architecture. Styling and designing concept of both architects influence how grid being applied in the designs. There are two opposite use of grid between the two. Le Corbusier desires order in his designs, while Eisenman creates dislocation as new rules in designing.

Le Corbusier plays with dimension and grid plane which are projected into three dimension in order to create interior elements and the whole building, while Eisenman manipulates grid planes in his designs in such a way that creating interior spaces and the exterior of building. However, they have similarity, i.e. the adaptation of grid as systematic process. In this instance grid creates interior elements and structured spaces in the whole building. The use of grid can be so varies, depends on the goal of individual architects. Architectural and interior elements can be explored and expressed through all kind of grid-based designing methods."

"Perubahan berbagai aspek yang terjadi pada masyarakat merupakan faktor penentu terjadinya perubahan pola pikir yang mereka pegang. Perubahan pola pikir ini menentukan perubahan prioritas dan preferensi masyarakat secara umum, sehingga menjadi salah satu faktor signifikan dalam perkembangan desain. Di dalam skripsi ini, secara khusus akan dibahas pengaruh modernisasi dalam lingkup desain, dengan berfokus terhadap dua bidang keahlian desain.Penulisan ini bermaksud untuk memahami bagaimana pengaruh modernisasi dapat terjadi terhadap dua hal yang berbeda, yaitu fashion dalam arsitektur dan busana. Untuk itu, penulisan ini mengandung studi kasus terhadap karya perwakilan arsitektur dan juga busana. Berbasis sistem written fashion oleh Roland Barthes (1967), penulisan ini memegang prinsip bahwa pola pikir masyarakat mengenai fashion dapat ditemukan melalui penanda yang ada pada produk-produknya, dan berlaku pula pada arsitektur. Maka dari itu, analisis dalam studi kasus ini akan dilakukan dengan menemukan penanda-penanda modernisasi.Penanda-penanda yang ditemukan akan digunakan untuk menentukan perbedaan dan persamaan modernisasi dalam arsitektur dan busana. Perbedaan akan memberikan pengetahuan mengenai berbagai kemungkinan penerapan pola pikir modern terhadap desain. Sedangkan persamaan dapat membuktikan keterhubungan fashion dalam arsitektur dan busana, khususnya dalam menerima efek modernisasi sebagai cabang ilmu desain yang berbeda. Hasil dari studi ini diharapkan dapat menjadi informasi yang memicu kemungkinan-kemungkinan eksplorasi desain yang baru.

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The alteration of various aspects within the society are the determining factors of the shiftings in the paradigms they held. These shiftings generally determine changes in the priorities and preferences of the society, therefore, become significant factors of design developments. In this essay, the effects of modernization will be particularly discussed, focusing on two design fields of study.

This study aims to understand how modernization occurs on two different matters, which are fashion in architecture and clothing. In order to do that, this study consists of a case study on architecture and clothing representative artworks. Based on Roland Barthes 's (1967) system of written fashion, this study held the principle that the paradigms of the society, in relation to fashion, are able to be found through the signifiers the items have, and the same thing applies in architecture. Therefore, the analysis in this case study will be done by finding the signifiers of modernization.

The signifiers that will be found will be used to determine the differences and the resemblances of the modernization application towards architecture and fashion. The differences will give information on various possibilities modern mindset can be applied towards design. While the resemblances will prove the relation between architecture and clothing, especially in receiving the effect of modernization as different fields of design study. The result of this study is expected to give information that triggers new possibilities in design explorations."

"The current practice in architectural studies which is enhanced by various digital computations and machined customization provokes the issue of the use of form. This paper investigates this issue by investigating two built project of renowned success done by one of the most prominent architect of the twentieth century, Le Corbusier. The Ronchamp chapel and the monastery of La Toureite are selected to be studied the elements because of their apparent difference in its formal quality, while both have been subject of continuous discussion in architectural studies. The paper tries to dissect each format approach used in each building and discover their effect and relation to user and program. The project's ability to evoke multiple reading suggest the possibility to answer the question of formal efficiency, which is their ability to evoke multiple numerous compressive reading that has continually been rediscovered by critics, architects and their user, rendering the buildings been a timeless source of inspiration."