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"Museum and Gallery Publishing examines the theory and practice of general and scholarly publishing associated with museum and art gallery collections. Focusing on the production and reception of these texts, the book explains the relevance of publishing to the cultural, commercial and social contexts of collections and their institutions.Combining theory with case studies from around the world, Sarah Anne Hughes explores how, why and to what effect museums and galleries publish books. Covering a broad range of publishing formats and organisations, including heritage sites, libraries and temporary exhibitions, the book argues that the production and consumption of printed media within the context of collecting institutions occupies a unique and privileged role in the creation and communication of knowledge. Acknowledging that books offer functions beyond communication, Hughes argues that this places books published by museums in a unique relationship to institutions, with staff acting as producers and visitors as consumers.The logistical and ethical dimensions of museum and gallery publishing are also examined in depth, including consideration of issues such as production, the impact of digital technologies, funding and sponsorship, marketing, co-publishing, rights, and curators’ and artists’ agency.Focusing on an important but hitherto neglected topic, Museum and Gallery Publishing is key reading for researchers in the fields of museum, heritage, art and publishing studies. It will also be of interest to curators and other practitioners working in museums, heritage and science centres and art galleries."

"Book Two in the critically acclaimed The Fire Sermon trilogy--The Hunger Games meets Cormac McCarthy's The Road in this richly imagined post-apocalyptic series by award-winning poet Francesca Haig. Four hundred years in the future, the Earth has turned primitive following a nuclear fire that has laid waste to civilization and nature. Though the radiation fallout has ended, for some unknowable reason every person is born with a twin. Of each pair, one is an Alpha--physically perfect in every way; and the other an Omega--burdened with deformity, small or large. With the Council ruling an apartheid-like society, Omegas are branded and ostracized while the Alphas have gathered the world's sparse resources for themselves. Though proclaiming their superiority, for all their effort, Alphas cannot escape one harsh fact: whenever one twin dies, so does the other. Cass is a rare Omega, one burdened with psychic foresight. While her twin, Zach, gains power on the Alpha Council, she dares to dream the most dangerous dream of all: equality. For daring to envision a world in which Alphas and Omegas live side-by-side as equals, both the Council and the Resistance have her in their sights.Book Two in the critically acclaimed The Fire Sermon trilogy--The Hunger Games meets Cormac McCarthy's The Road in this richly imagined post-apocalyptic series by award-winning poet Francesca Haig. Four hundred years in the future, the Earth has turned primitive following a nuclear fire that has laid waste to civilisation and nature. Though the radiation fallout has ended, for some unknowable reason every person is born with a twin. Of each pair, one is an Alpha--physically perfect in every way; and the other an Omega--burdened with deformity, small or large. With the Council ruling an apartheid-like society, Omegas are branded and ostracised while the Alphas have gathered the world's sparse resources for themselves. Though proclaiming their superiority, for all their effort, Alphas cannot escape one harsh fact: whenever one twin dies, so does the other. Cass is a rare Omega, one burdened with psychic foresight. While her twin, Zach, gains power on the Alpha Council, she dares to dream the most dangerous dream of all: equality. For daring to envision a world in which Alphas and Omegas live side-by-side as equals, both the Council and the Resistance have her in their sights."

"Thermal decomposition of fish bones to obtain calcium oxide (CaO) was conducted at various temperatures of 400, 500, 800, 900, 1000, and 1100 °C. The calcium oxide was then characterized using X-ray diffractometer, FTIR spectrophotometer, and SEM analysis. The calcium oxide obtained from the decomposition at 1000 °C was then used as a catalyst in the production of biodiesel from waste cooking oil. Diffraction pattern of the calcium oxide produced from decomposition at 1000 °C showed a pattern similar to that of the calcium oxide produced by the Joint Committee on Powder Diffraction Standard (JCDPS). The diffractions of 2q values at 1000 °C were 32.2, 37.3, 53.8, 64.1, and 67.3 deg.

The FTIR spectrum of calcium oxide decomposed at 1000 °C has a specific vibration at wave-length 362 cm-1, which is similar to the specific vibration of Ca-O. SEM analysis of the calcium oxide indicated that the calcium oxide's morphology shows a smaller size and a more homogeneous structure, compared to those of fish bones. The use of calcium oxide as a catalyst in the production of biodiesel from waste cooking oil resulted in iod number of 15.23 g/100 g KOH, density of 0.88 g/cm3, viscosity of 6.00 cSt, and fatty acid value of 0.56 mg/KOH. These characteristic values meet the National Standard of Indonesia (SNI) for biodiesel."