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"Fluiditas merupakan karakteristik yang menggambarkan kondisi ketidakstabilan air. Ketidakstabilan ini memungkinkan air untuk dapat memberikan manfaat ataupun menimbulkan kerugian. Fenomena tersebut terjadi pada konteks Pasar Terapung Lok Baintan, dimana identitasnya sedang terancam akibat banjir yang sering melanda. Berdasarkan narasi tersebut, perancangan tugas akhir ini bertujuan untuk membayangkan kembali cara baru untuk hidup berdampingan dengan fluiditas air. Hal ini dicapai dengan cara merancang untuk mempertahankan identitas yang ada (Pasar Terapung) dan beradaptasi terhadap bencana yang sedang berlangsung (banjir).

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Fluidity is a characteristic that describes the unstable state of water. This instability allows water to be able to provide benefits or cause harm. This phenomenon occurs in the context of the Lok Baintan Floating Market, where its identity is being threatened due to frequent flooding in the area. Based on the given narrative, the design of this final project aims to reimagine a new way to coexist with the fluidity of water. This aim is achieved by designing to preserve the existing identity (The Floating Market) and adapt to the ongoing disaster (The Flooding of The Floating Market)."

"window glass is an essential component of most buildings but the transparancy of much glaass means it often goes unnoticed. modern window glass is almost invisible but historic glass usually has a tint or colour and variation in surface texture and thickness, all of which distort a transmitted (and reflected) image. this distortion contributes to the overall aesthetic quality of a historic building. it is important that any architectural conservation decisions, such as the retention and/or replacement of window glass, proceed from a possition of knowledge. The most important aspect of extant glazing is wheather or not it is original. this paper explores the use of a chemical analysis technique to determine the age of historic glass. "

"ABSTRACTThe titles of the works of novelist yukio mishima clearly illustrate his preoccupation with sea imageries, while his language urges us to examine them psychoanalytically. In other words, these images function as an aesthetic and pyychic screen onto which his radically divide subjectivity is projected. Mishima's divided self is a product of logical complication and semantic opacity worthy of psychoanalytic interpretation."