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"Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether."

"The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." (Will Straw, McGill University). "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." (Barry Shank, author of 'The Political Force of Musical Beauty' (2014)).0The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method; The Business of Popular Music; Popular Music History; The Global and the Local; The Star System; Body and Identity; Media; Technology; and, Digital Economies. Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology."

"Makalah ini menguji transformasi musik populer Korea dari waktu ke waktu sesuai dengan keadaan politik dan ekonomi di Korea Selatan. Hal tersebut dimulai pada tahun 1945 ketika Korea Selatan mendapatkan kemerdekaannya dari pendudukan Jepang. Dimulai dari saat itu, musik populer Korea mulai menerima banyak pengaruh dari luar Korea, terutama Amerika dan Jepnag. Seiring berjalannya waktu, industri musik populer Korea mulai berubah karena faktor-faktor yang ada pada masanya hingga keberadaan "Korean Wave". Makalah ini klemudian menyimpulkan bahwa musik populer Korea tidak terlepas dari peristiwa-peristiwa politik dan ekonomi. Hal intulah yang meyebabkan musik populer Korea berevolusi dari masa ke masa dalam hal fungsi musik dan bagaimana musik dilihat oleh orang Korea sendiri.

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This paper examines the transformation of Korean popular music from time to time in accordance with political and economics situations in South Korea. It began in around 1945 when South Korea gained its independence from Japanese colonization. Starting from that point, Korean popular music started receiving numerous influences from outside Korea, particularly America and Japan. As the time goes by, music industry in Korea has changed due to some factors in each period until its existence today with the Korea‟s Hallyu. The paper concludes that Korean popular music is inextricably linked with political and economics events in Korea. That is why Korean popular music evolved differently from time to time in terms of the purpose of the music and the way the music is seen by Korean people."

"Pengaruh musik tidak hanya sekedar untuk memanjakan telinga dengan nada-nada dan irama yang enak didengar, melainkan juga dapat berpengaruh pada kondisi fisik, emosi, kognitif, dan sosial bagi individu dari berbagai kalangan usia. Namun dalam penelitian ini peniliti mengkhususkan pada kalangan usia remaja yang menjadi mayoritas penikmat musik popular Korea yang kini tengah mewabah di Indonesia.Penelitian ini bertujuan untuk mengetahui seberapa besar pengaruh musik popular Korea tersebut terhadap gaya hidup remaja di berbagai aspeknya mengingat peredaran musik Korea sangat meluas dan hampir setiap orang tahu akan keberadaan musik popular tersebut serta semakin menjamurnya konsep penampilan artis yang serupa dengan Korea.Penelitian ini bermanfaat untuk membantu pihak Universitas, peneliti, pembaca, juga masyarakat untuk memahami fenomena ini dan menyaringnya sehingga dapat mengambil manfaat baik dari fenomena tersebut dan mencegah atau membatasi dampak negatif dari fenomena yang terjadi tersebut. Selain itu, sebagai bahan informasi akurat untuk profesi psikolog, seni, ataupun sosiolog yang menjadi pakar kemasyarakatan. Metode penelitian yang digunakan adalah wawancara random sampling atau secara acak.

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The influence of music is not just to treat ear with tunes and catchy rhythms, but also can affect the physical, emotional, cognitive, and social for individuals of all ages . However, in this study the researche is specializing in teens who makes up the majority of popular Korean music lovers that is now endemic in Indonesia.

This study aims to determine how much influence the Korean popular music on youth lifestyle in various aspects, considering the circulation of Korean music is very widespread and almost everyone knows of the existence of such popular music as well as the proliferation of the concept looks similar to Korean artists.

This research is useful to help the university, researchers, readers, also people to understand this phenomenon and filter them. So, taking better advantage of this phenomenon and prevent or limit the negative impact of these phenomena. In addition, as a professional psychologist for accurate information, art, or sociologist who become expert community . The method was used interviews random sampling or random."