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"ABSTRAKJamal D. Rahman ialah seorang pemuisi yang berasal dari tanah Madura. Ia telah banyak menghasilkan karya sastra tidak hanya puisi tetapi juga berbagai karya sastra lain seperti esai dan kritik. Meskipun tidak sepopuler pemuisi terdahulu, karya-karya Jamal D. Rahman juga patut kita apresiasi. Salah satu karya yang telah dihasilkannya adalah kumpulan puisi Garam-Garam Hujan. Kumpulan puisi Garam-garam Hujan dibagi menjadi tiga bagian. Tulisan ini memaparkan unsur religius dari beberapa puisi yang terdapat di dalam kumpulan puisi Garam-garam Hujan. Pemaparan disajikan melalui analisis pencitraan dan amanat yang terkandung di dalam puisi tersebut. Tujuan penulisan ini adalah untuk memberi informasi kepada pembaca bahwa puisi di dalam Garam-Garam Hujan memiliki kandungan unsur atau makna yang religius. Oleh sebab unsur dan makna itulah puisi menjadi bernyawa dan patut untuk diapresiasi. Dengan adanya pemaparan yang ringkas ini, diharapkan pembaca dapat menerima karya sastra puisi secara umum sebagai sebuah karya yang pantas untuk dinikmati, dikaji, dan diapresiasi.Katakunci: puisi, religiusitas, pesan, suasana, apresiasi.

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ABSTRACTJamal D. Rahman is a poet who came from the land of Madura. He has produced many literary works not only poetry but also a variety of other literary works such as essays and criticism. Although not as popular as the previous poets, works of Jamal D. Rahman also deserve our appreciation. One of the works that have been produced is Garam-Garam Hujan. Collection of poems Garam-Garam Hujan is divided into three parts. This paper describes the religious elements of some of the poems contained in a collection of poems Garam-Garam Hujan. Exposure is presented through the analysis of imaging and the message contained in the poem. The objective is to inform readers that poetry in Garam-Garam Hujan contains elements or religious significance in it. Therefore, the elements and the meaning of that poetry became lifeless and deserves to be appreciated. Given this brief exposure, the reader should be able to receive a literary work of poetry in general as a work that deserves to be enjoyed, studied, and appreciated."

"ABSTRAKSkripsi ini membahas simbol lima sajak dari buku kumpulan puisi De herfst vanZorro karya Rodaan Al Galidi yang diterbitkan tahun 2006. Alasan pemilihanbuku ini adalah persepsi penyair ?sebagai seorang imigran yang belum lamatinggal di Belanda- tentang berbagai aspek kehidupan Belada dan kekayaan majasserta simbol. Pada judul masing-masing sajak, Al Galidi menggunakan objekobjekkhas Belanda, yaitu vla yang berkaitan dengan kekhasan kuliner, hujanyang berkaitan dengan musim, Schiphol yang berkaitan dengan gerbang masukdan keluar negara Belanda, peradaban yang berkaitan dengan tatanan sosial, dankebenaran yang berkaitan dengan citra masyarakat Belanda sebagai simbol.Melalui analisis terhadap struktur fisik dan batin puisi, ditemukan bahwa AlGalidi menggunakan kelima simbol untuk memperlihatkan ketidakberdayaannyamenghadapi keadaan sosial, alam, dan realita hidup.

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ABSTRACTThe thesis discussed the symbol within five poems taken from a book of poetrytitled De Herfst van Zorro by Rodaan Al Galidi published in 2006. Reason for theselection of the book is the perception of the poet ?as an immigrant who has notbeen living long enough in the Netherlands- about several aspects of life in theNetherlands as well as its abundant figures of speech and the symbols. In the titleof each poem, Al Galidi using typical Dutch object, namely vla which related tothe culinary peculiarity, rain which associated with the season, Schiphol whichrelated to the entry and exit gates of the country, Netherlands, civilization whichrelated to the social order and truth which related to the image of Dutch society, assymbols. Through the analysis of physical and inner structure of the poems, AlGalidi using those five symbol to show his helplessness on facing the social andnatural condition, as well as the reality."

"This research aims to explore poem based on Michael Halley's space of metaphorical expression. it consist of nine metaphor category ; human, animate, living, terrestrial, substance, energy, cosmic, being. Meanwhile, based on philosophic, there are etos, logos, and patos. The theory space of metaphorical expression Michael Halley is used on this, It says, hierarchy of human perception regarding space, start on his/her own perception. Because human and his/her action reflect the interaction with environment. That interaction is explained on metaphor. Meanwhile, the philosophic poin of the metaphor is about life. The message of life comes from the analysis of whole meaning, start on the explisit meaning or outside structure to the inplicit one. To find out the meaning, this research uses Friedrich Schleirmacher's hermeneutic and pierce semiotic approach. Those two theory support each other to analyze poem which consist of symbol and metaphor. This research uses analysis desriptive method. It describes the facts then analyzes those directly. On Mardi Luhung poems, researcher describes facts which form diction. After that, the diction which consist of methaphor which relate on space perception, in human category. This is the way to express his idea through poems. He uses nature symbols, animals, and myth, those have metaphoric and symbolic meaning as the way to express idea through poems."