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Mohd. Affandi Hassan
Kuala Lumpur : Dewan Bahasa dan Pustaka, 2005
801.93 HAS p
Buku Teks SO  Universitas Indonesia Library
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Grahita Indra Wimaya
"[ABSTRAK
Industri hiburan di Indonesia seperti perfilman dipenuhi dengan aktor-aktor yang berdarah
?Indo? (setengah Indonesia setengah asing). Hal tersebut dikarenakan kebanyakan dari
mereka berwajah cantik dan tampan dan secara keseluruhan memiliki bentuk fisik yang
menarik. Penggunaan orang Indonesia mixed race tersebut sering kali secara tidak disadari
memberi makna bagi konstruksi keindahan fisik tersendiri dalam masyarakat. Film Lost in
Love merupakan contoh baik dari bagaimana orang mixed race merepresentasikan bagaimana
keindahan fisik ideal di Indonesia itu seharusnya. Film yang bertajuk drama cinta ini
dibintangi oleh 3 aktor yang semuanya berketurunan Eropa atau biasa disebut ?Indo?. Pisau
analisa utama dalam penelitian ini adalah teori mengenai hiperrealitas dari Jean Baudrillard
dan teori mengenai aestetik dari Immanuel Kant. Metode yang digunakan adalah
dekonstruksi yang biasanya digunakan dalam menganalisa post-strukturalisme dalam karya
sastra. Penggunaan aktor-aktor Indo dalam film Lost in Love tidak jauh-jauh dari
komodifikasi yang biasanya dilakukan dalam industri perfilman dan untuk ke depannya,
aktor-aktor berdarah Indo sepertinya akan kerap mewarnai industri perfilman dan hiburan
secara umum di tanah air karena selain wujud fisik yang menawan, permintaan akan mereka
tetap banyak.ABSTRACT In Indonesia, people of mixed race ancestry who are usually called ?Indo? are usally looked
up because of their perceived beauty superiority. The entertainment industry usually employ
people who look like them because they attract audiences. These Indos can be found
especially in the movies. Lost in Love is one of those films that like to use attractive eurasians
because of their unique looks. This drama genre movie casts 3 Indos as their main characters.
Indos contributions to the entertainment industry subconsciously affects how their physical
beauty are represented and perceived by society. This research mainly use Jean Baudrillard‟s
hyperreality and Immanuel Kant‟s aesthetic as analytical tool and deconstruction as the
method. Ultimately, besides being the tool of commodification, these Indos will probably still
be widely used in the entertainment industry in the future because of the increasing demand., In Indonesia, people of mixed race ancestry who are usually called “Indo” are usally looked
up because of their perceived beauty superiority. The entertainment industry usually employ
people who look like them because they attract audiences. These Indos can be found
especially in the movies. Lost in Love is one of those films that like to use attractive eurasians
because of their unique looks. This drama genre movie casts 3 Indos as their main characters.
Indos contributions to the entertainment industry subconsciously affects how their physical
beauty are represented and perceived by society. This research mainly use Jean Baudrillard‟s
hyperreality and Immanuel Kant‟s aesthetic as analytical tool and deconstruction as the
method. Ultimately, besides being the tool of commodification, these Indos will probably still
be widely used in the entertainment industry in the future because of the increasing demand.]"
Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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"‘Michael Field’ (1884–1914) was the pseudonym of two women, the
aunt and niece Katharine Bradley and Edith Cooper, who lived and
wrote together as lovers. The large oeuvre contains poems, dramas
and a vast diary. Marion Thain recounts the development of a
fascinating and idiosyncratic poetic persona that, she argues, itself
became a self-reflexive study in aestheticism. The constructed life
and work of ‘Michael Field’ is used here to deepen and complicate
our understanding of many of the most distinctive aesthetic debates
of the late nineteenth and early twentieth centuries; a process unified
by the recurring engagement with theories of time and history that
structures this book. This analysis of poetry, aestheticism and the fin
de sie`cle, through the performance of ‘Michael Field’, has implications
that reach far beyond an understanding of one poet’s work.
"
Cambridge, UK: Cambridge University Press, 2007
e20377199
eBooks  Universitas Indonesia Library
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Ismail R. (Raji) Al-Faruqi
Yogyakarta: Yayasan Bentang Budaya, 1999
297.66 ALF ct (2);297.66 ALF ct (1)
Buku Teks SO  Universitas Indonesia Library
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Jakarta: Darul Haq, 1998
297.2 KIT
Buku Teks SO  Universitas Indonesia Library
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Seh Muhammadngabduh
"Buku ini berisi ilmu pengetahuan tentang ketuhanan di dalam agama Islam, penjabaran surah Al-Iklas, keutamaannya jika membaca surah tersebut, uraian tentang ilmu Ngakaid dan Kuran, awal adanya bid?ah, dan bagaimana pecahnya umat Islam."
Solo: AB. Siti Sjamsijah, 1929
BKL.0723-IS 73
Buku Klasik  Universitas Indonesia Library
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Yusran Asmuni
Jakarta: RajaGrafindo Persada, 2000
297.2 YUS i
Buku Teks SO  Universitas Indonesia Library
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"Naskah ini memuat teks yang judulnya tidak diketahui. Berisi tentang ajaran agama Islam. Teks diawali dengan sebuah doa dari salah satu ajaran dalam Ilmu Tauhid, yaitu tentang dua puluh sifat Tuhan. Teks utama ditulis dalam bahasa Arab, kemudian diberi tafsir dalam bahasa Jawa. Pada teks terdapat glosa antar-larik dan di sudut-sudut margin atas dan bawah berupa interpretasi teks. Naskah koleksi baru FSUI ini diperoleh dari Madura, pada tahun 1994."
[Place of publication not identified]: [publisher not identified], [date of publication not identified]
IS.12-KB 3 / IS.2-KC 3
Naskah  Universitas Indonesia Library
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Dadang Hawari
Jakarta: Balai Penerbit , 2009
297.4 DAD p
Buku Teks SO  Universitas Indonesia Library
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M. Amien Rais
Bandung: Mizan, 1998
297.2 AMI t
Buku Teks SO  Universitas Indonesia Library
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