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"ABSTRAKTesis ini membahas tentang aspek poetics dalam suatu tata pamer. Aspek poetics yang dijalankan dalam penelitian ini adalah membangun aktivitasproduksi makna meaning making yang dihasilkan oleh tata pamer Galeri Kepresidenan Museum Kepresidenan Republik Indonesia Balai Kirti MKRIBK . Penelitian ini merupakan penelitian kualitatif. Penelitian ini bertujuan untuk membangun aktivitasproduksi makna meaning making yang dihasilkan oleh tata pamer Galeri Kepresidenan MKRIBK dengan cara mengonsep ulang narasi melalui pemberian tema pada masing-masing galeri presiden. Hasil penelitian ini adalah MKRIBK patut didorong untuk lebih mengembangkan tata pamernya mengikuti kaidah poetics dengan cara mendesain ulang tata pamer Galeri Kepresidenan MKRIBKmelalui pendekatan konstruktivis agar tercapai meaning making.

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ABSTRACT This study discusses the aspect of poetics in an exhibition. The poetics used in this research are for meaning making of the exhibition in Gallery of Honor of the Presidential Museum of the Republic of Indonesia Balai Kirti PMRIBK . This research is a qualitative research which aims to build meaning making activities for the exhibition in Gallery of Honor of the PMRIBK by re conceptualizing the narratives by giving each gallery in the museum a specific theme. The results of this research show that PMRIBK should be encouraged to further develop its exhibition by following the principles of poetics by redesigning the exhibition in the Gallery of Honor ofPMRIBK through a constructivist approach in order to achieve meaning making. "

"This book challenges theory's critique of literary art. It argues that the institutionalization of theory, particularly in North American universities over the last quarter century, has led to a pervasive intellectual sterility. Theory's institutional triumph induces critics to offer categorical explanations and demystifying analyses that ignore the actual power and scope of literature. Mark Edmundson traces this tendency to systematize and sterilize literature to Plato's famous quarrel, on behalf of philosophy, against the poets. Edmundson goes on to show how contemporary theorists like de Man, Derrida and Bloom have renewed the philosophical drive to demean poetic art, or to subsume it into some "higher" form of thought. This is not an anti-theoretical book: it acknowledges the value of theory and the intellectual prowess of the theorists it treats. But it is also concerned to recognize theory's limits and to establish the responsibility of literary criticism to do more than theorize: to identify those points at which literature resists being explained away. This book comes to the defence of poetry and of literary art overall, at a time when its cultural status is in doubt."