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"Ippei Yamazawa is one of the fathers to the study of Asia-Pacific regional cooperation in Japan and has contributed hugely to the development and work of APEC over many years. APEC is a crucial trans-regional arrangement that draws the United States into constructive economic engagement with East Asia."

"Summary: "Governments across the world are concerned about the future of world order. This original, timely and innovative collection is the first to consider the interconnections between energy, capitalism and the future of world order from the angle of critical political economy. In its wide-ranging chapters, the authors analyze these interlocking topics from three closely assoicated perspectives: energy, capitalism and international theory; energy capitalism and the making of world order; and energy and capitalism in the 21st century. The first section includes important examinations of energy and capitalism, the international trade system and the threat of peak oil to liberalism. The second offers pioneering chapters on petroleum and development in the global south, US-Canadian energy relations and the politics of transitioning to a post-carbon era in the age of climate change. Finally, the book concludes by exploring key new and worrying developments such as the revolution in biofuels, the excavation of Canadian tar sands and the rise of hydraulic fracturing"--Back cover."

"This paper suggests a new agenda for constructing early warning models (EWMs) to enhance their effectiveness in predicting financial crises. The central argument of the new agenda aims to eradicate the weaknesses of existing EWMs, since their failure to predict the global financial crisis of 2007–2008 demonstrates the need to improve their efficiency. We document the history of EWMs and propose a new agenda as follows: 1) the accurate measurement of a financial crisis, 2) implementation of a fourthgeneration crisis model to capture the dynamic nature of the financial crisis, and 3) the inclusion of interconnectedness/contagion variables as explanatory variables for the financial crisis."

"Dalam seni ekologis, materialitas objek-objek alam dihadirkan sebagai representasi hubungan manusia dan multispesies non-manusia. Dalam karya seni kontemporer yang partisipatif, Jatiwangi art Factory memaknai ulang tanah yang menjadi elemen penting bagi masyarakat Jatiwangi, Jawa Barat, yang dikenal sebagai penghasil genteng sejak 1905. Penelitian ini berlatar di Jatiwangi dan Kassel, Jerman—lokasi di mana peneliti terlibat dalam sebuah karya seni ekologis berjudul New Rural Agenda, sebuah konferensi performatif yang menghadirkan representasi human dan non-human untuk membicarakan agenda baru pedesaan, yang dipresentasikan di Documenta Fifteen, sebuah perhelatan penting bagi seni kontemporer dunia. Penelitian ini menggunakan metode autoetnografi, di mana peneliti melakukan refleksi dan analisis pengalaman ketubuhan “mengalami tanah” yang tersituasikan, dan menggunakan paradigma materiality turn dalam kajian Antropologi. Penelitian ini ingin menarasikan dan mengurai proses terbentuknya materialitas baru dan memori kolektif akan “tanah” dan multispesies lainnya dari mengalami “peristiwa seni” dari sudut pandang seniman.

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In ecological art, the materiality of natural objects is involved as a representation of the relationship between humans and non-human multispecies. In contemporary participatory works of art, Jatiwangi art Factory reinterprets land as an essential element for the people of Jatiwangi, West Java, who have been known as tile producers since 1905. This research is set in Jatiwangi and Kassel, Germany, where researchers are involved in a work of ecological art entitled New Rural Agenda. This performative conference presents human and non-human representations to discuss the new rural agenda presented at Documenta Fifteen, a historical event for contemporary world art. This thesis research uses the autoethnography method, in which the researcher reflects and analyzes the bodily experience of "experiencing Tanah" on situated and views it from the paradigm of materiality turn in Anthropology studies. This research aims to narrate and describe the process of forming new materiality and collective memory of "Tanah" and other multispecies from experiencing art performance from the artist's point of view."