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"Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor’ or ‘representation’, and, in the process, to analyse Beckett’s use of images borrowed from philosophy and aesthetics.This is the first study of Beckett’s thoughts on the image in his literaryworks and of his extensive notes to the philosopher Arnold Geulincx.Uhlmann considers how images might allow one kind of interactionbetween philosophy and literature, and how Beckett makes use ofimages which are borrowed from, or drawn into dialogue with,philosophical images from Geulincx, Berkeley, Bergson and theAncient Stoics. Uhlmann’s reading of Beckett’s aesthetic and philosophicalinterests provides a revolutionary new reading of the importanceof the image in his work."

"Throughout the twentieth and twenty-first centuries, Joseph Conrad's novels and short stories have consistently figured into - and helped to define - the dominant trends in literary criticism. This book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad studies, from the 1895 publication of his first book, Almayer's Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad's work, John G. Peters's careful analysis also evaluates Conrad's impact on critical trends such as the belles lettres tradition, the New Criticism, psychoanalysis, structuralist and post-structuralist criticism, narratology, postcolonial studies, gender and women's studies, and ecocriticism. ;Throughout the twentieth and twenty-first centuries, Joseph Conrad's novels and short stories have consistently figured into - and helped to define - the dominant trends in literary criticism. This book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad studies, from the 1895 publication of his first book, Almayer's Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad's work, John G. Peters's careful analysis also evaluates Conrad's impact on critical trends such as the belles lettres tradition, the New Criticism, psychoanalysis, structuralist and post-structuralist criticism, narratology, postcolonial studies, gender and women's studies, and ecocriticism. "