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"From the North African desert to the bloody stalemate in Italy, from the D-Day beaches to the freezing retreat during the Battle of the Bulge, a group of highly courageous correspondents covered the war against Nazi Germany. Based on a wealth of previously untapped sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home fronts perception of some of the most pivotal battles in American history. In a dramatic and fast-paced narrative, the book moves from the inner councils of government, where Franklin D. Roosevelt and George Marshall held clear views about how much blood and gore Americans could stomach, to the command centers in London, Algiers, Naples, and Paris, where many reporters were stuck with the dreary task of reporting the war by communique. At the heart of the book is the epic journey of such reporters as Wes Gallagher and Don Whitehead of the Associated Press, Drew Middleton of the New York Times, Bill Stoneman of the Chicago Daily News, and John Thompson of the Chicago Tribune; of columnists like Ernie Pyle and Hal Boyle; and of photographers like Margaret Bourke-White and Robert Capa. These men and women risked their lives on countless occasions to report World War II to a grateful home-front audience."

"Penelitian ini dilakukan dengan tujuan memperlihatkan bagaimana orang Jerman menghadapi permasalahan negara, nasion dan bangsa mereka sesudah Perang Dunia II dan sesudah penyatuan kembali Jerman. Orang Jerman yang berasal dari sate negara, satu nasion dan satu bangsa terpaksa menghadapi kenyataan bahwa mercka harus dipisahkan dalam dua negara Jerman: Republik Federal Jerman dan Republik Demokrasi Jarman. Keadaan ini tergambarkan dengan jelas pada puisi-puisi yang dijadikan korpus penelitian ini. Memang banyak sekali karya-karya sastra Jerman sesudah Perang Dunia II usai yang menyoal hal ini di semua genre. Namur, untuk penelitian kali ini dipilih puisi saja yang memang sangat disukai pada waktu itu karena bentuknya dan kepadatan isinya. Setelah Jerman bersatu kembali di tahun 1990 maka persoalan yang sama muncul yaitu bagaimana orang Jerman dari mantan kedua negara Jerman menyikapi dan memberikan pendapatnya terhadap perubahan total ini. Mereka yang tumbuh dalam ideologi yang berbeda tiba-tiba bersatu kembali dan hares menerima bahwa sekarang mereka bemegara sate, bernasion satu, dan berbangsa satu. Dengan demikian, tema utama yang ada dalam puisi-puisi yang dijadikan korpus penelitian adalah Vergangenheits Bewalligung, atau penyelesaian dengan masa lalu."

"This research aims to express the changing process that happened in Mandar as a result of Dutch colonial intervention. From this, it can be seen the early structure that made by Mandar people, their custom and behavior; and finally to bring a new structure that come from their interaction with colonial power. From the period as temporal term, source of information is explored from a past data, especially from colonial archives. Some articles from journals and newspapers, as a contemporary mass media, contribute much information for reconstruction. The structure that made by Mandar people in 18th and 19th century was identified with a maritime piracy. By a reason to end this criminality, Dutch colonial government took a drastic measure with sending her military expedition to punish Mandar people. The expedition motivated the Mandar War in 1868-1869, and ended with a political contract between Mandar and Dutch in 1870. As a conclusion, Mandar is proven to have a difference structure with other political units in South Sulawesi. The structure is consisted of two: power system that composed by seven kings or “maradia”; and diaspora system that spread as long coast of Sulawesi. The contract, that forced by Dutch, could not end the both structures, even though the Dutch regarded that she could establish her political domination."

"ABSTRAKKekejaman NAZI meninggalkan bekas di negara-negara yang mereka jajah, setelah kekalahan Jerman pada 1945 para seniman membuat komik yang mengolok-olok Jerman yang disebut bevrijdingstrips. Het ABC s van het NAZI Regiem merupakan salah satu bevrijdingstrips yang ada pada masa itu. Komik yang bertema sejarah dengan bentuk alfabetis yang bercerita tentang pendudukan NAZI di Belanda. Penelitian ini merupakan penelitian kualitatif dengan metode deskriptif analitik. Tujuan dari penelitian ini adalah untuk mengetahui representasi NAZI, negara lain yang terlibat, dan Belanda, serta kepada siapa komik ini ditujukan. Dalam penelitian ini akan dibahas tentang pengertian komik, analisis representasi NAZI, negara lain yang terlibat, dan situasi masyarakat Belanda. Hasil dari penelitian ini berupa tokoh pemimpin NAZI yang digambarkan tidak secara eksplisit, lalu negara-negara lain yang terlibat digambarkan oleh perwakilan-perwakilan tokoh negara mereka, dan situasi masyarakat Belanda yang digambarkan melalui peristiwa-peristiwa yang terjadi pada masa itu.

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ABSTRACTNAZI cruelty left traces in the countries they invaded, after Germany s defeat in 1945 the artists made comics that made fun of Germany called bevrijdingstrips. Het ABC s van het Nazi Regiem is one of the bevrijdingstrips that existed at that time. Historical comics with an alphabetical form that tells the story of the NAZI occupation in the Netherlands. This research is a qualitative research with descriptive analytic method. The purpose of this study was to find out the representation of the Nazis, other countries involved, and the Netherlands, and to whom this comic was intended. In this study we will discuss the definition of comics, the analysis of representations of the Nazis, other countries involved, and the social situation in Netherland. The results of this study were in the form of Nazi leaders who were not explicitly described, then the other countries involved were represented by representatives of their country s leaders, and the situation of the Netherland community was described through the events that occurred at that time."