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"Skripsi ini membahas tentang gaya bangunan dari salah satu bangunan gereja dari masa kolonial Belanda. Objek penelitian ini adalah Gereja Santa Theresia Menteng yang terletak di Jalan Gereja Theresia no.2 Menteng, Jakarta. Metode penelitian yang dipakai adalah perbandingan, yaitu dengan membandingkan unsur-unsur struktural dan ornamental dengan gaya bangunan yang berkembang baik di Eropa maupun di Indonesia. Hasil analisis penelitian ini adalah terdapat percampuran budaya yang dikenal pada masa itu sebagai gaya Indis. Kesimpulan dari penelitian ini Gereja Santa Theresia Menteng adalah bangunan dengan Gaya Indis.

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This undergraduate thesis is written about church style structure from Colonial era. The research object is Gereja Santa Theresia Menteng which is located on Jalan Gereja Theresia no.2 Menteng, Jakarta. The method for the research is comparation. It compares structural elements and ornamental elements which great develope in Europe or Indonesia. The analysis result is indicating that there is a culture-mixing that is known as Indische Style. The result of the research is Gereja Santa Theresia is the building who contain the Indische Style."

"Skripsi ini membahas mengenai gaya bangunan pada abad ke-20. Obyek penelitian ini adalah Gereja Paulus yang terletak di Jalan Sunda Kelapa No.12, Menteng, Jakarta Pusat. Metode penelitian dilakukan dengan cara membandingkan elemen-elemen yang ada pada Gereja Paulus dengan bangunan yang ada di Eropa dan Indonesia. Berdasarkan hasil analisis diketahui bahwa terdapat beberapa macam unsur gaya yang dipadukan pada bangunan Gereja Paulus. Di dalamnya terdapat perpaduan gaya Eropa dan tradisional Indonesia. Perpaduan dua gaya antara Eropa dan tradisional Indonesia ini disebut dengan arsitektur Indis. Maka dari itu, diperoleh kesimpulan bahwa Gereja Paulus Menteng merupakan salah satu bangunan bergaya IndisThe focus of this thesis is architectural style in 20th century. Object of this research is the Paulus Church which located at Jalan Sunda Kelapa No.1, Menteng, Central of Jakarta. Method used in this research is comparison of elememnts of the Paulus Church with building from similiar period in Europe and Indonesia. Analysis result shows that there some architectural style applied in Paulus Church. There is a mixture of European architectural style with Indonesian tradisional style. The mixture of those architectural style called as Indis Architecture. This research conclude that Paulus Church is one of the Indis architecture building"

"Gereja Santa Perawan Maria (GSPM), yang dibangun tahun 1896, merupakan bangunan untuk ibadah umat Katolik yang tertua di Kota Bogor, dan dapat dikatakan mewakili sejarah penyebaran agama Katolik di Kota Bogor. Berdasarkan pembabakan periodisasi perkembangan arsitektur Kolonial Belanda di Indonesia, akhir abad 19 merupakan periode ketika gaya Neo-Klasik banyak diterapkan pada bangunan-bangunan terutama pada bangunan-bangunan publik. Neo-Klasisme adalah paham dalam arsitektur bangunan Eropa yang mengulang secara utuh atau dominan suatu gaya pada jaman arsitektur klasik Eropa. Objek dalam penelitian ini adalah GSPM yang terletak di jalan Kapten Muslihat No.22, Bogor. Tujuan dari penelitian ini yaitu untuk mengetahui gaya arsitektur yang diterapkan pada GSPM. Penelitian ini dibatasi hanya pada gaya bangunan Gereja dan hal-hal lain yang berkenaan dengan bentuk dan ragam hias GSPM. Penelitian ini menunjukkan bahwa gaya arsitektur Gotik sangat dominan diaplikasikan pada GSPM, atau dengan kata lain GSPM merupakan bangunan bergaya Neo-Gotik.

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Santa Perawan Maria Church (GSPM) was built in 1896, and is the oldest Catholic church in Bogor that is still existed until now. It could be said that this church represents the spreading of Catholic religion in Bogor. Based on the chronology of Dutch Colonial architecture in Indonesia, end of 19th century was the period when Neo-Classism was strongly applied on public buildings. Neo-Classic is an architectural style which tried to bring back the glory of old classic European architectural style but in a more flexible way. Object of this research is the GSPM which is located at Jalan Kapten Muslihat No.22, Bogor. Aim of this research is to identify the architectural style applied in GSPM, particularly on the formal aspect and decoration or ornamentation as well. This result of this research shows that Gothic architectural style are very strong applied on GSPM, or in other words it can be said that GSPM is a Neo-Gothic building."

"Artikel ini berisi penelitian mengenai pemaknaan kaca-kaca patri di Gereja Santa Theresia Menteng. Gereja Santa Theresia Menteng merupakan sebuah gereja Katolik yang terletak di Menteng, Jakarta Pusat, didirikan pada tahun 1934. Rumusan masalah pada artikel ini berisi bagaimana penggambaran kaca patri dan makna-makna yang terkandung di dalamnya. Penelitian ini menggunakan metode penelitian arkeologi oleh Sharer & Ashmore beberapa tahap yaitu Formulasi, Implementasi, Pengumpulan Data, Pengolahan Data, Analisis, Interpretasi, dan Publikasi dengan menggunakan analisis deskriptif. Hasil penelitian ini menunjukkan kaca patri Gereja Santa Theresia Menteng yang memiliki berbagai motif antropomorfik, floral, dan lambang suci. Selain sebagai elemen dekoratif, kaca patri memiliki pesan-pesan tertentu melalui gambar yang menghiasinya.

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This article examines the symbolic meanings of the stained glass windows in Santa Theresia Church, Menteng. Located in Menteng, Central Jakarta, Santa Theresia Church is a Catholic church established in 1934. The issue in this article focus on the depiction of stained glass and the meanings embodied within them. This study employs the archaeological research methodology developed by Sharer & Ashmore, which includes the stages of Formulation, Implementation, Data Collection, Data Processing, Analysis, Interpretation, and Publication, using a descriptive analysis approach. Findings indicate that the stained glass in Santa Theresia Church displays a variety of ornaments, including antropomorfic, floral, and sacred symbols motifs. In addition to serving as decorative elements, these stained glass serve as a medium to convey specific religious messages through the images they portray"

"Artikel ini berisi penelitian mengenai pemaknaan kaca-kaca patri di Gereja Santa Theresia Menteng. Gereja Santa Theresia Menteng merupakan sebuah gereja Katolik yang terletak di Menteng, Jakarta Pusat, didirikan pada tahun 1934. Rumusan masalah pada artikel ini berisi bagaimana penggambaran kaca patri dan makna-makna yang terkandung di dalamnya. Penelitian ini menggunakan metode penelitian arkeologi oleh Sharer & Ashmore beberapa tahap yaitu Formulasi, Implementasi, Pengumpulan Data, Pengolahan Data, Analisis, Interpretasi, dan Publikasi dengan menggunakan analisis deskriptif. Hasil penelitian ini menunjukkan kaca patri Gereja Santa Theresia Menteng yang memiliki berbagai motif antropomorfik, floral, dan lambang suci. Selain sebagai elemen dekoratif, kaca patri memiliki pesan-pesan tertentu melalui gambar yang menghiasinya.

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This article examines the symbolic meanings of the stained glass windows in Santa Theresia Church, Menteng. Located in Menteng, Central Jakarta, Santa Theresia Church is a Catholic church established in 1934. The issue in this article focus on the depiction of stained glass and the meanings embodied within them. This study employs the archaeological research methodology developed by Sharer & Ashmore, which includes the stages of Formulation, Implementation, Data Collection, Data Processing, Analysis, Interpretation, and Publication, using a descriptive analysis approach. Findings indicate that the stained glass in Santa Theresia Church displays a variety of ornaments, including antropomorfic, floral, and sacred symbols motifs. In addition to serving as decorative elements, these stained glass serve as a medium to convey specific religious messages through the images they portray"

"Flood is indeed a big problem in Jakarta as a metropolitan city. From the colonial era to present day, flood has not yet been resolved adequately. Fisiography cycles, space competition, and the management of flood seem to be significant factors affected the continuous problem of flood in Jakarta. Seeing from the perspective of fisiography which is related to geomorphology, geology, and hydrology, lowland of Jakarta formed from rivers' sedimentation thousand years ago. This in fact has formed areas below the sea level like swamp and lake areas. Sedimentation process was accelerated after the eruption of the Mount Salak in 1699, in which newly lowland has been increasing each year around 15-50 metres depending on flood and wind direction. Due to this sedimentation, Jakarta topography is flat where water could not flow smoothly. The emergence of Jakarta as settlement areas originated from the Sunda Kelapa Kingdom that developed in the Jakarta coastal area. This process of settlement has developed rapidly along with the VOC conquered Jakarta. Being a central of the colonial trading, population has increased dramatically that also extended the size of Jakarta. In 1830, the city extended toward southern part, well-know as Weltevreden. Menteng was built in 1918 after the development of Jakarta itself. The increasing number of population from 1948 _ 1950 was occurred when the capital of the country moved from Yogyakarta to Jakarta. After 1970s population booming has happened in Jakarta which consequently increasing number of buildings could not be avoided. The construction of housing complexes, trading centres, and industries have even conducted in the restricted areas for any buildings, including the environmental geology area of 1,2 and 3. The impact of these constructions could be clearly seen through the decreasing of absorbing water areas. Therefore, flooding areas have increased rapidly. From 1892 to 1930 flood had been around Weltevreden area, but in 1985 floods have reached the outskirts of Jakarta, including Bintaro, Ciputat, and Pasar Minggu. To solve the flood, structural approach has been applied since 1911. During colonial period flood, especially in 1919, the canal of Kali Malang and Manggarai water control were built. After the independence, 1970 _ 1985, floods have been managed by constructing Cengkareng drain, Cakung drain and so forth. Though government has spent a lot of funding, flood could not be stopped it. Flood is indeed a difficult homework for government of Jakarta."

"ABSTRAKJurnal ini berbicara mengenai perubahan penampakkan pada bangunan Gereja Katedral Jakarta. Gereja Katedral Jakarta adalah sebuah bangunan yang memiliki nilai sejarah yang tinggi. Pembangunan Gereja yang memiliki sejarah panjang ini, dikerjakan sejak masa pendudukan Belanda. Bangunan ini adalah bangunan yang menjadi saksi sejarah perkembangan agama Katolik di Indonesia, sehingga banyak faktor yang mempengaruhi pembangunannya. Renovasi dan pemugaran dilakukan beberapa kali semenjak gedung ini berdiri. Hal ini mengakibatkan gaya bangunan pada Gereja Katedral Jakarta sudah bukan seperti gaya bangunan sebagaimana yang dirancang saat pertama kali direncanakan. Selain menyertakan latar belakang sejarah tulisan ini juga menyertakan paparan dari Helen Jessup perihal Belanda yang pada masa koloninya memperkuat posisinya dan menegaskan daerah jajahannya dengan membangun gedung-gedung yang mewah.

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ABSTRACTThe content of this journal is about the outlook of Gereja Katedrakl Jakarta. Gereja Katedral Jakarta is one of many building in Indonesia which has historica value. The construction also has a long story, worked beginat the Dutch colonial period. This building is the witness of history of development of the Catholic in Indonesia, so that many factors make effects to the building construction. Renovation and restoration carried out a few times since this building stands. That makes this building has different style as the first time this building planned. This journal also contains historical background and the exposure from Helen Jessup that during the Dutch colony, they strengthens and show up the position of colonies by build the luxury building."