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"Skripsi ini membahas konsep chronotope Mikhail Bakhtin pada novel Турецкий Гамбит /Tureckij Gambit/ karya Boris Akunin. Dalam menganalisis novel tersebut penulis menggunakan metode deskriptif-analitis untuk membuktikan bahwa di dalam novel tersebut terdapat konsep chronotope. Hasil dari penelitian ini adalah ditemukannya tiga chronotope yang membuat jalannya cerita. Chronotope yang muncul pada novel tersebut adalah Хронотоп Дороги /Chronotope Dorogi/, Гостиная-Салон /Gostinaya-Salon/, dan Хронотоп Порога /Chronotop Poroga/.

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This thesis disscused about Mikhail Bakhtin’s concept of chronotope within the novel Турецкий Гамбит /Tureckij Gambit/ by Boris Akunin. Analytical-descriptive method is used in this thesis in order to prove that the novel consists chronotopes that make the plot of the story. The outcome of this thesis shows that there are three chronotopes appear in this novel. Those chronotopes are Хронотоп Дороги /Chronotope Dorogi/, Гостиная-Салон /Gostinaya-Salon/, and Хронотоп Порога /Chronotop Poroga/."

"The work of Mikhail Bakhtin does not fall neatly under a single rubric, because its philosophical foundation rests ambivalently between phenomenology and Marxism. The theoretical tension between these two positions creates philosophical impasses in Bakhtin's work, which have been neglected or ignored in previous studies of Bakhtin. Michael Bernard-Donals examines developments in phenomenological and materialist theory, providing a contextualized study of Bakhtin, a critique of the problems of contemporary criticism, and an original contribution to literary theory."