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"This book traces the evolution of colour television from 1928, when rudimentary colour television was demonstrated for the first time, to c. 1966, when the NTSC system and its variants, the PAL and SECAM systems became widely available for the entertainment, education and enlightenment of society.Among the many topics discussed in the book are: compatibility and non-compatibility; mechanical and all-electronic systems; field sequential, line sequential, and dot sequential scanning; bandwidth constraints and band-sharing techniques; the CBS-RCA conflict; the relative merits of the different systems; the attempt to achieve unity of purpose in Europe; standards; and the development of colour cameras and display tubes."

"Tesis ini membahas perkembangan film India di Indonesia pada tahun 1932-1976. Itu masalah yang dibahas dalam penelitian ini adalah bagaimana proses memasukkan film India ke dalam Indonesia, perkembangan film India di Indonesia yang juga membahas masalah tersebut film di Indonesia, dan bagaimana peran sinema sebagai media pemutaran film India di Indonesia Indonesia. Metode yang digunakan dalam penelitian ini adalah metode historis dengan menggunakan tulisan yang ditulis dengan baiksumber dokumen, majalah, dan buku. Perbedaan dari penelitian ini dengan yang lain Studi yang membahas film di Indonesia adalah temuan yang diperoleh yang belum pernah ditulis dalam sejarah perfilman Indonesia. Penemuan film India yang penting telah dilakukan sejak 1932 dan telah diputar di bioskop Alhambra Surabaya pada tahun 1935 bersama dengan film-film Mesir. Kemudian di masa kejayaan film India pada 1950-an film perkembangan India di Indonesia harus bersaing dengan film - film penting lainnya seperti Film-film Melayu, Filipina, dan film-film Amerika. Film-film India banyak diminati di kelas bawah bioskop seperti bioskop Rivoli di Jakarta yang sedang berada di masa jayanya pada 1950-an sampai akhir pembukaan bioskop pada 1990-an sebuah film India dirilis. Di Selain itu, film India juga mendapat reaksi dari produser film Indonesia, sehingga mereka mendapat a kuota film untuk memboikot film India.

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This thesis discusses the development of Indian films in Indonesia in 1932-1976. The problem discussed in this study is how the process of incorporating Indian films into Indonesia, the development of Indian films in Indonesia which also addresses the issue of film in Indonesia, and how the role of cinema as a media for Indian film screening in Indonesia Indonesia. The method used in this study is the historical method using well-written writings from documents, magazines and books. The difference from this research with the others Studies that discuss films in Indonesia are the findings obtained that have never been written in the history of Indonesian cinema. An important Indian film discovery has been done since 1932 and has been screened in the Alhambra cinema in Surabaya in 1935 along with Egyptian films. Then in the heyday of Indian film in the 1950s film Indian development in Indonesia has to compete with other important films such as Malay, Filipino and American films. Indian films are in great demand in the lower classes of cinema such as the Rivoli cinema in Jakarta which was in its heyday in the 1950s until the end of the cinema opening in the 1990s an Indian film was released. In addition, Indian films also get a reaction from Indonesian film producers, so they get a film quota to boycott Indian films."

"Machine generated contents note: 1 Korean Cinema: Philosophical Foundations and Theoretical Frameworks 1 --2 Oppression, Liberation, Censorship, and Depression: History and Major Trends of Korean Cinema from the 1910s to the 1970s 25 --3 Korean National Cinema in the 1980s: Enlightenment, PoliticalStruggle, Social Realism, and Defeatism 57 --4 Auteur Criticism: The Case of Sunwoo Jang?s Taste of Heaven 85 --5 Discourses of Modernity and Postmodernity in Contemporary Korean Cinema 113 --6 Hollywood Imagination, Foreign Films, and Korean Identity: Resistance, Assimilation, and Articulation 149 --7 Contemporary Korean Cinema: A Boom or a Renaissance? 167."