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"Konsep subjektivitas memiliki hubungan dalam penyingkiran dan reduksi perempuan dari kebudayaan. Perempuan merupakan liyan dalam kehidupan, dalam kebudayaan, yang tidak diketahui, sehingga muncul realitas perempuan versi laki-laki. Dalam sinema, perempuan mengalami reduksi dan diferensiasi dari industri yang strukturnya berangkat dari dominasi laki-laki. Representasi perempuan di layar sinema dominan tidak menunjukkan perempuan sebagai perempuan yang utuh, karena struktur yang melatari sinema secara dominan berangkat dari sudut pandang dan otoritas laki-laki. Subjektivitas perempuan menjadi nilai penting karena dapat memberikan penggambaran dan wawasan mengenai perempuan sebagaimana adanya, hadir bukan sebagai ilusi. Subjektivitas sutradara perempuan dapat menghasilkan representasi perempuan yang lebih dekat dengan kehidupan. Namun, ketika berangkat dari subjektivitas perempuan, sinema perempuan menghasilkan pendekatan yang berbeda dengan sinema dominan, sehingga sinema perempuan mengalami diferensiasi dan ditempatkan sebagai kontra sinema. Melalui pemikiran feminist film theory, tulisan ini berusaha mengidentifikasi bagaimana dinamika struktur kekuasaan dan paradigma yang terbentuk dalam sinema, khususnya permasalahan subjektivitas, membuat sutradara perempuan keluar dari konvensi sinema dominan dan menghasilkan bahasa baru, yang menempatkan sinema perempuan berada di posisi yang berbeda dengan sinema arus utama.

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The concept of subjectivity has a correlated role in the exclusion and reduction of women from culture. Women are the other; in life, in culture, that is unknown, so a male version of women's reality is produced. In cinema, women experience reduction and differentiation from an industry whose structure is rooted in male dominance. The representation of women on screen in dominant cinema does not represent women as complete women, given that the structures underlying cinema are dominantly based on male perspectives and authority. Female subjectivity holds crucial value because it provides portrayals and insights into women as they really are, not as illusions. The subjectivity of female directors produces representations of women that are closer to life. However, when it departs from women's subjectivity, women's cinema presents a different approach from the dominant cinema, which leads to women's cinema being differentiated and placed as a counter-cinema. Through feminist film theory, this paper seeks to identify how the dynamics of power structures and paradigms formed in cinema, especially the problem of subjectivity, have forced female directors to step out of the conventions of dominant cinema and produces a new language, which places women's cinema in a different platform from mainstream cinema."

"Tesis ini membahas mengenai representasi modernitas dari Stasiun Jakarta Kota dan Stasiun Sudirman pasca diberlakukannya sistem e-ticketing dan perbaikan infrastruktur stasiun pada tahun 2013. E-ticketing dan perbaikan infrastruktur merepresentasikan pengembangan layanan perkeretaapian Jakarta. Hasil penelitian ini menunjukkan bahwa perubahan stasiun yang ditopang oleh teknologi dan infrastruktur berhasil mengembalikan fungsi stasiun sekaligus mengubah budaya dan pemaknaan masyarakat atas stasiun.

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This thesis discusses about the representation of modernity in Jakarta Kota Station and Sudirman Station as a result of e-ticketing system implementation and the improvement of its infrastructure since 2013. E-ticketing system and the improvement of station infrastructure represents the modernization Jakarta's public transportation. The result of this research shows that the transformation of the station, which is supported by technology and infrastructure, could restore the real function of the station as well as changing the culture and the construction meaning of the station."

"Film ziarah menceritakan perjalanan hidup tokoh utama, Mbah Sri, yang berjuang demi mencari fakta mengenai sang suami yang dinyatakan gugur di medan perang pada saat agrasi militer II. Masalah utama dalam penelitian ini adalah bagaimana representasi perjuangan dan kesetiaan yang dilakukan oleh tokoh utama dalam film Ziarah (2017). Penelitian ini bertujuan membuktikan serta merepresentasikan perjuangan dan kesetiaan dari tokoh utama melalui bukti visual. Dalam penelitian ini, penulis menggunakan metode penelitian kualitatif dengan pendekatan semiotika Charles Sanders Peirce. Hasil penelitian mengungkapkan bahwa, perjuangan dan kesetiaan dapat ditinjau melalui beberapa aspek. Perjuangan yang terdiri dari lima aspek, yaitu rela berkorban, persatuan, harga-menghargai, semangat dan pantang menyerah, dan kerja sama. Adapun kesetiaan yang terdiri dari tiga aspek, yaitu keteguhan hati, ketaatan dan kepatuhan. Aspek tersebut ditinjau melalui scene, sequence, dan dialog Mbah Sri melalui sikap, tindakan, dan juga tingkah laku. Tidak hanya itu, penelitian ini juga menyandingkan perjuangan dan kesetiaan dengan sikap orang Jawa yaitu sikap nrima. Dengan adanya penulisan ini diharapkan dapat memberikan pemahaman yang lebih mudah serta lebih dalam mengenai nilai-nilai budaya Jawa yang tercermin melalui sikap, tindakan dan perilaku mengenai perjuangan, kesetiaan, dan sikap nrima.

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The film pilgrimage tells the life journey of the main character, Mbah Sri, who struggles to find facts about her husband who was declared dead on the battlefield during military aggression II. The main problem in this study is how the struggle and loyalty are represented by the main character in the film Ziarah (2017). This study aims to prove and represent the struggle and loyalty of the main character through visual evidence. In this study, the authors used a qualitative research method with Charles Sanders Peirce's semiotic approach. The results of the study reveal that struggle and loyalty can be viewed through several aspects. The struggle consists of five aspects, namely willingness to sacrifice, unity, respect, enthusiasm and never give up, and cooperation. As for loyalty which consists of three aspects, namely determination, obedience and obedience. These aspects are reviewed through scenes, sequences, and Mbah Sri's dialogue through attitudes, actions, and also behavior. Not only that, this research also juxtaposes struggle and loyalty with Javanese attitudes, namely nrima. With this writing, it is hoped that it can provide an easier and deeper understanding of Javanese cultural values ​​which are reflected through attitudes, actions and behavior regarding struggle, loyalty, and acceptance."

"This book contains essays written by eminent phenomenologists & scholars closely related to R. Bernet, a person and a philosopher. The intellectual and worldwide authority of R. Bernet's work is well represented, as well as by the content of their chapters. In a sense, this volume is a good indication of the importance of Bernet's own books, articles and classes. The editors have chosen to concentrate the contributions on what could be estimated to be one of the three major themes of his philosophical itinerary: life, seen from a phenomenological point of view, its relation to subjectivity, experiences and consciousness, and both seen as the ground for an original reflection on art (paintings)."