Hasil Pencarian  ::  Simpan CSV :: Kembali

"ABSTRAKSeni selalu diikuti oleh berbagai ide dan kebutuhan yang tidak dapat dipisahkan dari budaya dan waktu. Perkembangan konsep dan teori seni membuat metode yang berbeda di mana seni disajikan. Saat ini, representasi seni melibatkan konteks spasial. Tulisan ini membahas tentang lukisan dari pameran Kolonialisme dan Orientalisme. Bukan saja Seni dianggap, tetapi konteks menjadi lebih penting karena membawa kisah nyata tentang seni. Parergon berbicara tentang hubungan antara seni dan konteks. Ekstrinsik seni adalah konteks yang dapat mengkonfirmasi definisi seni, makna seni, atau isi seni. Konteks berisi informasi tentang seni, sehingga pengunjung galeri dapat memahami, menghargai, dan menikmati tentang seni. Tulisan ini membahas tentang seni, sejarah seni, dan Parergon.

---

ABSTRACTArt is always followed by various ideas and needs that cannot be separated from culture and time. The development of art concepts and theories makes different methods in which art is presented. At present, art representations involve spatial contexts. This paper discusses the paintings from the exhibition of Colonialism and Orientalism. Not only is Art considered, but context becomes more important because it brings true stories about art. Parergon talks about the relationship between art and context. Extrinsic art is a context that can confirm the definition of art, the meaning of art, or the content of art. Context contains information about art, so gallery visitors can understand, appreciate, and enjoy about art. This paper discusses art, art history, and Parergon."

""The articles in this yearbook, by British and American, Dutchand Flemish contributors, survey the living, contemporary culture of the Low Countries as well as their cultural heritage"--Foreword."

"Over the past several decades, perhaps no other contemporary philosopher has shaped the field of epistemology more than Alvin Goldman. Goldman and His Critics presents a series of original reading that critically examine Alvin Goldman's groundbreaking theories, writings, and ideas on a range of philosophical topics, followed by Goldman's responses to each essay. Featuring contributions from sixteen prominent philosophers, this volume offers a critical assessment of Goldman's work along with a lively give-and-take on core questions relating to the nature and structure of justification and knowledge, as well as the relevance of cognitive science to epistemology, experimental philosophy, and more. Essays probe deeply into Goldman's innovative contributions to epistemology-both individual and social-in addition to the philosopher's work in the field of cognitive science, metaphysics, and especially philosophy of mind-including the evolution of Goldman's thinking on --Simulation-Theory (ST), the controversial approach to mindreading and its role in human cognition. --Brian P. McLaughlin is a Distinguished Professor of Philosophy and Cognitive Science at Rutgers University, New Jersey. He has published numerous articles on topics relating to the philosophy of mind, the philosophy of psychology, and metaphysics. --Hilary Kornblith is Professor of Philosophy at the University of Massachusetts, Amherst, Massachusetts. --Book Jacket.Goldman and His Critics presents a series of original essays contributed by influential philosophers who critically examine Alvin Goldman's work, followed by Goldman's responses to each essay.-Critiques Alvin Goldman's groundbreaking theories, writings, and ideas on a range of philosophical topics -Features contributions from some of the most important and influential contemporary philosophers -Covers Goldman's views on epistemology-both individual and social-in addition to cognitive science and metaphysics -Pays special attention to Goldman's writings on philosophy of mind, including the evolution of his thoughts on Simulation-Theory (ST)."