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""Medical writing tells us a great deal about how the language of science has developed in constructing and communicating knowledge in English. This volume provides a new perspective on the evolution of the special language of medicine, based on the electronic corpus of Early Modern English Medical Texts, containing over two million words of medical writing from 1500 to 1700. The book presents results from large-scale empirical research on the new materials and provides a more detailed and diversified picture of domain-specific developments than any previous book. Three introductory chapters provide the sociohistorical, disciplinary and textual frame for nine empirical studies, which address a range of key issues in a wide variety of medical genres from fresh angles. The book is useful for researchers and students within several fields, including the development of special languages, genre and register analysis, (historical) corpus linguistics, historical pragmatics, and medical and cultural history"-- Provided by publisher."

"This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance. Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, Theatre as Sign System addresses key drama texts and offers new and detailed information about the theories of performance."

"This is the first collaborative volume to place Shakespeare’s works within the landscape of early modern political thought. Until recently, literary scholars have not generally treated Shakespeare as a participant in the political thought of his time, unlike his contemporaries Ben Jonson, Edmund Spenser and Philip Sidney. At the same time, historians of political thought have rarely turned their attention to major works of poetry and drama. A distinguished international and interdisciplinary team of contributors examines the full range of Shakespeare’s writings in order to challenge conventional interpretations of plays central to the canon, such as Hamlet ; open up novel perspectives on works rarely considered to be political, such as the Sonnets ; and focus on those that have been largely neglected, such as The Merry Wives of Windsor. The result is a coherent and challenging portrait of Shakespeare’s distinctive engagement with the characteristic questions of early modern political thought : among them, corruption and citizenship, education and persuasion, the hazards of the court and the demands of the commonwealth."

"The Tudor era has long been associated with the rise of nationalism in England, yet nationalist writing in this period often involved thedenigration and outright denial of Englishness. Philip Schwyzerargues that the ancient, insular, and imperial nation imagined in the works of writers such as Shakespeare and Spenser was not England but Britain. Disclaiming their Anglo-Saxon ancestry, the English sought their origins in a nostalgic vision of British antiquity.Focusing on texts including The Faerie Queene, English and Welsh antiquarian works, The Mirror for Magistrates, Henry V, and King Lear, Schwyzer charts the genesis, development, and disintegration of British nationalism in the sixteenth and early seventeenth centuries.An important contribution to the expanding scholarship on early modern Britishness, this is the first study of its kind to give detailedattention to Welsh texts and traditions, arguing that Welsh sources crucially influenced the development of English literature andidentity."